We are open for in-store shopping Monday-Saturday from 11-5pm! Curbside pickup, local delivery and worldwide shipping are still available.

Search

What you need to perfect your home office

Article by Julia Finnegan

Whether it is the unique timbre of their voice that speaks to you, or their concise...

This section doesn’t currently include any content. Add content to this section using the sidebar.

Image caption appears here

Add your deal, information or promotional text

WHY PAINT? OKWA

JUNE 24TH-AUGUST 7TH, 2021


In this show OKWA artists address the question(s):  What does paint do for you in your expression?  Why do you choose it rather than another medium?  

OKWA paints: Group Exhibition

June 24th-August 7th, 2021

Tim De Rose: New Works August 12 - September 18, 2021

Sticks and Stones: A Collaborative Installation 

September 23 - October 30, 2021

A Show of Smalls: Group Show 

November 5 - December 24, 2021

PAST EXHIBITIONS.

PHILEEN DICKINSON - COVID STUDIES 2020: EXTROSPECTION

We are now accepting submissions to show in our gallery.

Please review our submission guidelines.

Add your deal, information or promotional text

28097

ArtBook - Josef Albers: Midnight and Noon

Exploring the origins of Josef Albers' groundbreaking Homage to the Square in the exquisite palettes of day and night

Using minimal means—paint straight from the tube, applied meticulously with a palette knife—and a focused selection of colors, Josef Albers’ sustained, serial investigation into rhythm, mood and spatial movement is explored in this lavishly produced volume that looks solely at his respective grey and yellow paintings, exploring two distinct color palettes pervasive to his oeuvre.

Highlighting the rich diversity of effects Albers drew from a narrow range of colors, this publication centers around the groundbreaking “Homage to the Square (A)” (1950), the inaugural painting in the series that would occupy the artist until his death in 1976. The pairing of two palettes—black, white and grey and an array of yellows—stems in part from Albers’ 1964 series of lithographs, Midnight and Noon, which brought together these two opposing color sets in a single portfolio. Together they address the limitless possibilities the artist found in color and form in relation to light. The impossible simultaneity of “midnight” and “noon” moreover speaks to Albers’ transcending of what he called “factual facts” in favor of the play of perception and illusion possible in art.

Opening with an introduction by Nicholas Fox Weber, Executive Director of The Josef and Anni Albers Foundation, that contextualizes these works and their color palettes, this volume also includes Albers’ own writing on Homage to the Square. Additionally, Elaine de Kooning’s historic text and Colm Tóibín’s recent writing explore this body of work from different perspectives and time periods. Published on the occasion of exhibitions at David Zwirner’s New York and London galleries in 2016 and 2017, this beautifully illustrated publication looks at one of the most influential abstract painters of the 20th century.

Notify me when this product is available: