On their third album Time to Kill, Body of Light refines their brand of cold and driving synth pop with a bold pallet of sounds and a focus on uncharted technique and purpose. Like the pale digital stare of the modern devices surrounding our daily lives, the album weaves stories of love and obsession in an era of technical bondage and fleeting exhilaration. Written over a period of intense and profound change, Time to Kill stands as a startling reminder of how important our existence truly is. Haunting keys, swelling pads, and punching rhythms score their work as Alex Jarson presents an alluring and romantic dialogue with confident projection. The title single “Time to Kill” kicks off the album with a merciless signature beat, complimented by distorted sample patterns against an infectious, moving bass groove that invites you to “let the memories fade.” The follow up single “Don’t Pretend” invokes sparkling nostalgia and innocence over a dark and driving beat paired with vintage electronic movements. The haunting “Dangerous”, slows the pace with its pendulum-like rhythm and ominous intonation, falling between a hopeful synth pop ballad and shadowy dirge – a slow dance for the sunrise set.
Couldn't load pickup availability
Payment & Security
Payment methods
Your payment information is processed securely. We do not store credit card details nor have access to your credit card information.
Body of Light - Time To Kill (LP) (Multiple Versions)
On their third album Time to Kill, Body of Light refines their brand of cold and driving synth pop with a bold pallet of sounds and a focus on uncharted technique and purpose. Like the pale digital stare of the modern devices surrounding our daily lives, the album weaves stories of love and obsession in an era of technical bondage and fleeting exhilaration. Written over a period of intense and profound change, Time to Kill stands as a startling reminder of how important our existence truly is. Haunting keys, swelling pads, and punching rhythms score their work as Alex Jarson presents an alluring and romantic dialogue with confident projection. The title single “Time to Kill” kicks off the album with a merciless signature beat, complimented by distorted sample patterns against an infectious, moving bass groove that invites you to “let the memories fade.” The follow up single “Don’t Pretend” invokes sparkling nostalgia and innocence over a dark and driving beat paired with vintage electronic movements. The haunting “Dangerous”, slows the pace with its pendulum-like rhythm and ominous intonation, falling between a hopeful synth pop ballad and shadowy dirge – a slow dance for the sunrise set.
On their third album Time to Kill, Body of Light refines their brand of cold and driving synth pop with a bold pallet of sounds and a focus on uncharted technique and purpose. Like the pale digital stare of the modern devices surrounding our daily lives, the album weaves stories of love and obsession in an era of technical bondage and fleeting exhilaration. Written over a period of intense and profound change, Time to Kill stands as a startling reminder of how important our existence truly is. Haunting keys, swelling pads, and punching rhythms score their work as Alex Jarson presents an alluring and romantic dialogue with confident projection. The title single “Time to Kill” kicks off the album with a merciless signature beat, complimented by distorted sample patterns against an infectious, moving bass groove that invites you to “let the memories fade.” The follow up single “Don’t Pretend” invokes sparkling nostalgia and innocence over a dark and driving beat paired with vintage electronic movements. The haunting “Dangerous”, slows the pace with its pendulum-like rhythm and ominous intonation, falling between a hopeful synth pop ballad and shadowy dirge – a slow dance for the sunrise set.
Choosing a selection results in a full page refresh.
Opens in a new window.
Sydney B
Wonderful
Alanna was wonderful! Very knowledgable and entertaining. Would definitely take another workshop with her. I wish there was a starter kit in art noise that i could buy to continue this kind of art at home
Stained Glass Workshop with Alanna Hakim
Willy
Already signed up! Looking forward to it
Already signed up! Looking forward to it, have done classes with Brandon in the past. Enjoyed them and learned lots.
Exploring Realism Part 2: Extended with Brandon Liesen
Jan McLaughlan
Beautiful
I bought this pencil for doll cheeks. It worked beautifully and was easy to apply in just the right area and size! Very pleased. Would definitely buy again.
Caran d'Ache - Museum Watercolour Pencil - Pinks and Violets
Barbel Smith
Tri Art Retarder
Great Product, since I paint smooth canvases with little texture, I need a lot of open time to blend the paint and this retarder works great.
Tri-Art Mediums - Retarder Medium
Barbel Smith
High viscosity paint
I have been using Tri-Art High Viscosity paint for a number of years now and love how versatile it is. I can add retarder to increase the open time for increased blending on my large scale artwork where the paint is smoothly applied. It is also perfect for plein air impasto work. Thank you for this amazing Canadian product.
This was a wonderful workshop! I enjoyed learning from the instructor. She helped make everyone feel comfortable and confident no matter their skill/experience level. My feedback for improvement would be surrounding the preparation of materials. It felt a bit last-minute or scattered. There weren't enough paper towels and we each only got one paint brush of one size. I also think that maybe some background music would have been nice. The room got very quiet at several points which felt awkward.